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FREE Essay on The Romantic Era - Direct Essays
The Romantic Era was the period marked by distinctive character of such music forms as the short intimate preludes, music that precedes a fugue or introduces an act in an opera, and the extraordinarily big concertos of Liszt.
Benjamin Britten's admiration for Mahler went back long before the "boom" of the early sixties and in his notes to the BBC Legends issue (BBCB 8004-2) containing Britten's 1961 Aldeburgh Festival performance of the Fourth Donald Mitchell identifies his friend as one of the leading figures in the early renaissance of Mahler's music. This BBC mono recording with the LSO in Orford Church has a rich, deep sound with some church reverberation but no distortion to playing which breathes humanity and involvement. In 1963 Britten talked about this performance to an interviewer and said: "My experience of conducting the Fourth Symphony at Aldeburgh showed me what a master of form he (Mahler) is, particularly in the first movement of that great work." These thoughts seem to partly explain the decision for his very brisk tempo in this movement. The effect from the start and throughout is of lightness and optimism, classical tautness rather than romantic weight, and I think this suit’s the character of the music well. One of the sounds one takes away from this recording is the attention Britten pays to articulating the lower strings, helped by the acoustic. At the close of the Exposition there are some lovely slides, as idiomatic a Mahler sound as you could hope for, and this also applies to the spicy woodwinds at the start of the Development where Britten injects a more dramatic cloak to the proceedings. The "climax on the dissonance" is well observed but not to the extent that it protrudes and holds up the sense of momentum the structural/formal approach has brought. It's a delicate balance this "form versus detail" dichotomy. Though Britten clearly veers to the former he seems well aware enough of the latter pulling him back since, in the closing section, his ability to bring out points of detail without diminishing the sharp focus shows that a conductor doesn't really need to slow up and "ham up" in order to seduce the ears of the listener. By not lingering over the Trios in the second movement Britten keeps momentum up here too. I must also draw attention to the deliciously played violin solos which make their out-of-tune effect without appearing too ill-mannered. There is some superb solo horn playing also. The performance of this movement comes out on the side of the angels to come rather than the Devil, whose violinist Death dances around us but never really threatens.
Free romantic period Essays and Papers - 123helpme
This page discusses the guitar composers of the so-called early romantic guitar era of the late 1700's and 1800's whose music is known to me, and in my opinion made a contribution to the repertoire.
Though others such as Schubert, Chopin, Verde, and Berlioz were certainly givers to romanticism in music Beethoven introduced many aspects that made Romantic music what was.
Free romantic period papers, essays, and research papers
Weber figures prominently in history as the composer who established a German opera in his native land and successfully broke the chains of Italian traditions. He accomplished this in a variety of ways: the use of spoken dialogue in place of the Italian recitative; the use of German myths and folklore, with an emphasis on nature, for the subjects of his operas; and his remarkable use of the instruments of the orchestra, rather than just the voices, to tell the story. The overtures to Weber's operas are dramatic renderings through music of the stories that are about to unfold, as in the overture to his most famous opera, Der Freischütz. The opera is about a hunter who, in order to marry the girl he loves, becomes a pawn in a bargain with the devil so that he may win a marksman's shooting contest.
The guitar music before about 1825 really falls more into what is commonly described as the "Classical Period" - while guitar music after about 1825 becomes more "Romantic Period." There is not a specific date that this occurred; rather, it was a gradual process of evolution which continues to this day.
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FREE Classical And Romantic Music Essay - Example …
This is the only complete Mahler symphony where we can compare and contrast recordings by the two conductors most closely associated with Mahler's work in his lifetime: Willem Mengelberg and Bruno Walter. Mengelberg sat in the audience in Amsterdam in 1904 to hear Mahler conduct the symphony with the Concertgebouw Orchestra twice in the same concert. He also attended the rehearsals, discussed the work with Mahler, and made copious notes in his score with Mahler's co-operation. Mahler in turn had a very high opinion of Mengelberg's conducting of his music so any recording by the Dutchman must carry a degree of authenticity but with the caveats that need to be applied to that word in this context. Whether what we hear in the "live" concert recording from November 1939 (Archipel ARPCD006) can be said to represent Mahler's own wishes is another question. I would only point out that by this time twenty-eight years had passed since Mahler's death and Mengelberg, a conductor known for a very expressive style, must have developed his interpretation in those years however much it may have been influenced by Mahler to start with. However, I think we can say this recording gives us a window into the way the generation nearest to the composer saw and performed his works.
Romantic Period :: essays research papers - 123helpme
This piece although sometimes dark bursts with energy, and brings to light all the freedom of expression, thought, and emotion meant for the Romantic period.
The Romantic Period Essay - The Romantic Period The Romantic …
There are many fine arrangements of opera tunes, themes and variations, etc., by lesser-known composers - if you are willing to sift through a lot of music to find them.
Classic and Romantic Music, translated by M
Opera was also a major medium of expression.
Vocal Compositions: Lied, choral music (sacred and secular), Te Deums, Requiems, Beatitudes, Opera (Italian, French, German Nationalistic), Oratorios.
New Large Forms: Symphonic Poem, Sonata, Symphony, Concerto, Ballet, Ballade, Impromptu.
New Small Forms: Waltz, Nocturne, Etude, Fantasy, Mazurka, Variations, Rhapsody.
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