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Jorge Borges: Short Stories Themes | GradeSaver
is a collection of short stories and essays by Borges. He gets our heads spinning with stories about gardens with forking paths, a strange country called Uqbar, and a translator who tries to re-write Cervantes' famous novel Don Quixote.
"," one of Borges' most famous short stories, takes place in—you guessed it—a library. But this is no ordinary library. For one thing, it's huge: there are endless bookshelves, there are duplicate books, and there are infinite corridors.
Jorge Luis Borges in Magic Realism
If this were an essay aimed at an academic audience, I'd go on to illustrate these cheeky assertions with evidence from Borges's work and life (and throw in some footnotes here and there). But because this is an article for working writers seeking to hone their craft and expand their range, I'm instead going to offer up five things that I think the short fiction of Jorge Luis Borges has to teach us as writers.
The enduring appeal of Borges's short fiction shows us too that ideas matter. Because while some of his stories are constructed around the sort of "gotcha" endings we associate with O. Henry (say, for example, in Borges's "Emma Zunz"), some of them are built around ideas so astounding, so paradoxical and marvelous, that they linger in the mind long after reading. In Gibson's words, they increase the bandwidth of the brain.
Jorge Francisco Isidoro Luis Borges Acevedo ..
Borges was an Argentine writer famous for his short stories. The worlds in his stories mess with your head: they're incredible, they're complicated, and they raise all kinds of existential questions, like "Who am I?" and "What are the limits of the world?"
It's generally good advice--advice that will set you up to write the sort of fiction largely published in contemporary literary magazines and journals. But it's not the only way to write a story, and the short fiction of Jorge Luis Borges reminds us that there are other points of departure, other foundations upon which to build fiction, and one of them is the concept. (It's the central feature of genre fiction for a reason.)
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