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Good endings for compare and contrast essays - …
These lines are among the most personal and self-revelatory verses in all of Dunbar's poetry.
48-49 "Alas, all I am able to do is write poems - such childishness controls my bridle's reins." This is, of course, mock humility; Dunbar has no doubts about the value of writing poetry.
54 For the figure of the king as the poet's physician, compare "To the King" (Poem 39), line 34, and "A Dream" (Poem 42), lines 49-50.
58-59 Here Dunbar makes a direct request for a benefice, which contrasts greatly with the indirect appeals he normally makes in his petitions.
61-64 The poet here reminisces about his early childhood.
the siege of Berwick in Bruce, XVII, 445-66" (Bw 2.458).
68 In King Hart, the defeat of the foretower (guarding the castle's main entrance) indicates defeat (line 875).
69-72 The exact meaning of this passage is unclear, but Comparison is apparently surrendering and voluntarily offering up the prisoner, in hopes that he will be treated "soft and fair." But line 83 seems to indicate that his pleas for mercy went unanswered, for he is destroyed along with the lady's other negative qualities.
73-88 All those things that had thwarted the lover are now destroyed or removed.
79-80 These verses indicate that the tables have been turned - the lady by whom the lover had been imprisoned is now herself under siege.
81-82 Bawcutt observes that "Animals, such as bulls, had pins or skewers set in their noses, by which they might be controlled" (Bw 2.459); but perhaps the point here is that Scorn has received a disfiguring wound (which will cause him to be scorned), in addition to being banished.
83 Comparison must be put to death so that the lover will have the lady's attention exclusively.
84 It is fitting that Langour, the watchman atop the castle wall (lines 33-34), leaps off the wall to his death.
86 Lust chasit my ladeis chalmirleir.
Good Ending To A Compare And Contrast Essay
Compare Lindsay's Dreme, line 16, and Crying of ane Play, line 14.
177-92 These stanzas contain Dunbar's depiction of Kennedy as a tall, thin scarecrow of a man; they provide a sharp contrast to Kennedy's later depiction of Dunbar as a tiny dwarf of a man.
179 Hard hurcheoun hirpland, hippit as ane harrow.
In contrast to all the other poems in this volume, however, the Flyting cannot be attributed exclusively to Dunbar, for Walter Kennedy, one of Dunbar's contemporaries, probably composed 328 of the poem's 552 verses.
Resources for writing the compare/contrast essay;
The term blak in line 2 could be used for a woman of dark complexion; but as the poem develops, it becomes clear that the poet is describing an African.
5-6 Contrast Chaucer's Prioress, whose mouth is "ful smal, and therto softe and reed" (CT I[A]153).
The lamb, in crying for the Lady's protection, is momentarily playing hard to get, as is expected of her, even in a work that is more fabliau than romance; compare Alison's initial rebuff of Nicholas in The Miller's Tale (CT I[A]3284-86).
15-18 The brutishness of the fox is here emphasized, presumably to create a striking contrast with the smallness of the lamb.
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But what Dunbar appears to be doing in this pair of verses is juxtaposing the monk's contradictory qualities - his hot complexion and his devout mind - to create the kind of humorous non sequitur that Chaucer sometimes used.
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Compare CT I(A)3772 and II(B1)93, and Whiting B82-92.
63-92 In the last five stanzas the speaker celebrates the love of Christ.
81-84 These verses are very reminiscent of lines 1842-48 in Book 5 of Chaucer's TC.
87-90 I.e., "No one in his youth can understand this, except through the grace of God, because this false, deceiving world exerts such great control over the young."
90 in flouris grene.
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Variance probably implies the desire to pursue new lovers, what Chaucer often terms new-fangelnesse - novelty.
7 In Henryson's Garmont of Gud Ladies, line 15, "continuance" is one of woman's personified virtues (Bw 2.394).
9-12 Discretion and consideration are two virtues that love has no control over, and therefore if they were to be found in an amorous relationship, they would not remain for long.
11-12 The short duration of love and the pleasures of love is a medieval commonplace; compare Whiting L524.
13-14 Love is quick to pursue new acquaintances and quick to abandon old ones.
8 Pages; Compare And Contrast essay sounds sad and angry
In other words, we should worship the Creator, not His creation.
65-72 With an ingenuity worthy of the Wife of Bath, here the merle interprets the biblical admonition to "love your neighbor" (Christ's second great commandment - Matthew 22:39 and Mark 12:31) as an open invitation to love the women who happen to live nearby.
81-87 Descriptions of the ennobling power of love are common; compare, e.g., lines 151-60 in The Cuckoo and the Nightingale and TC 1.1079-85.
89 Trew is the contrary.
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The nightingale's refrain, in contrast to the merle's, reflects the traditional Christian principle that love has no value unless it is a reflection of man's love of God.
20-23 Compare these sentiments with those sung by the lark in "The Thistle and the Rose" (Poem 30), lines 13-14.
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