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In the first section we saw how the early haiku journals and the others contributed to the sense of community and accelerated the growth of the American haiku movement. This has been no less true in recent years. Even in the Internet age, the haiku journals are where the action is and remain the mode of record and, hence, the most important bellwether of the movement.
Even after its release the ASCC tried to keep close control over its message. It remained worried that audiences might react in the wrong way, despite its efforts to control the film’s production. So it tried to ensure that it was only screened when a trusted delegate of the ASCC, usually a physician, was present to correct any misconceptions, answer any questions, and calm any fears the film, the disease, or its treatment might generate in the public. Films were often accompanied by a lecture which, as noted above, the ASCC scripted for local speakers. They were also part of a broader educational program that included newspaper and magazine reports, showings of slides and posters, free cancer clinics, and educational pamphlets. All of these could be used to counter any unwanted reactions in a movie-going audience.
K pax movie essay example sujets de dissertation pedagogique traites
A few Native American poets have explored haiku as well. Writer and scholar Gerald Vizenor has found a relationship between the Chippewa (Ojibway, Anishinaabe) dream song and the Japanese haiku that he was exposed to when he was a soldier in the Far East. He has plumbed these connections in several books of lyrical haiku beginning in 1964. The verses of poets such as Raven Hail (Cherokee), Nora Marks Dauenhauer (Tlingit), and Mary TallMountain (native Alaskan) show the poets on intimate terms with nature and employ the terseness and structure of traditional haiku to bring home the spiritual condi-tion of their people. William Oandasan (Yuki) also published a number of haiku collections.
The Reward of Courage was to be part of a broader effort to re-launch the ASCC after the war led by Osborne and the energetic President of the ASCC, Denver physician Charles A. Powers. (Fig. 2) Central to this effort was the creation in 1921 of the first National Cancer Week, held October 30 to November 5, 1921, and blessed by President Warren G. Harding. This was an intensive week of public education events, much of which would have been familiar to organizers and audiences of campaigns against tuberculosis and the venereal diseases — lectures for physicians, nurses, and the general public (the Society provided lecture outlines for the last of these); free diagnostic clinics; the distribution of thousands of educational pamphlets and posters; the publication of numerous articles in newspapers and other periodicals; theater slides; an exhibit; an educational lecture by radio (apparently the first time that radio had been used for public health education); a telephone S.O.S. system to alert people to upcoming events; and airplanes that delivered speakers to their destinations. The Cancer Society — and Powers in particular — were enthusiasts for new communication technologies like radio, telephone, airplanes, and movies. However, movies got special attention. Of all these new technological marvels, The Reward of Courage was to be a centerpiece of the 1921 campaign.
Racism And American History X Analysis Film Studies Essay
The use of programming terminology as a means of describing human behavior is probably fraught with hazards, but can be equally illuminating if done with care. For instance, if these memes are likened to programs running in the wetware of leftist intellectual brains, then how much of their effectiveness within that person is dependent on compromising what passes for the Arithmetic-logic unit? I.e. to be more specific, the comparator unit? Much of what passes for leftist reasoning is based on drawing equivalences: take the implication Adrian10 makes that the current american environment is equivalent to that of pre-nazi germany as a means to lay the groundwork for accusing america of going Nazi.
You can abide faithfully to the letter of the Bible and still have a backward, repressive society. What if the fundamentalists took over and outlawed apostasy? In America we actually have some experience with this sort of thing; consider the Puritans.
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A Description and Analysis of the Film American History X
Many critics noted that the film reveals very clearly the issue of Nazism and racial discrimination. The Variety noted that at a time, when the majority of American movies avoid such complex issues and are even afraid to have an “unhappy end,” the American History X gives a “deep” plot and very believably exposes the problem of Nazism today.
A Description and Analysis of the Film American History X: by ..
In the United States, the movie was released October 30, 1998. The box office over the first weekend was $156,076, covering 2.3% of production costs. Three days after the release, the American History X was ranked 29th on the results of the U.S. box office this week.
American History X - Movie Essay - 797 Words
Maximum box office the movie reached November 20, 1998, earning $ 1,340,166. At that time, the American History X was on the twelfth place in the ranking.
Movie: American History X - Term Paper
The American History X is a movie, which deserve a close consideration. Its main value is courage to look in the face of the modern society problems. It as well merits a good research proposal. Therefore, it is your mission to make your best effort to write a good research paper on American History X. To do that properly, you must focus on studying profoundly all aspects of the subject. You have to deeply analyze the plot and present your thought on causes of the situation.
American History X Movie Review (1998) | Roger Ebert
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American History X - Term Paper
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