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The Wife Of Bath - Essays English Essays: The Prioress Vs.
R. M. Lumiansky's removal of Chaucer's "Prioress's Tale" from his 1948 edition of the Canterbury Tales demonstrates that ethical challenges exist for those studying anti-Semitic texts from the past. This essay suggests that such ethical conflicts don't emanate from the text itself but from the dual context of the historical past and the contemporary context of that reading. The obligation to account accurately for the past may not always sit well against the responsibilities issuing from contemporary events. "Lumiansky's Paradox" provides medievalists with an opportunity to judge how best to "respect" "The Prioress's Tale" (as well as other bigoted texts) by examining the unrecognized role aesthetics has played in historicist and non-historicist readings of the tale. The essay contends that the reponse should not be to reject aesthetics in favor of historicism but to dwell in "Lumiansky's Paradox" so as to explore the potential for an ethical aesthetics.
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The Role of the Prioress Essay Example for Free
The Monk, Chaucer tells us, is a manly man. The Monk's favorite past-time is hunting, and to this end he keeps gorgeous (and probably expensive) horses and greyhounds. Like the Prioress, the Monk is all sorts of things that, as a religious figure, he should probably not be – a hunter, overfed, expensively-dressed in fur and gold jewelry, and a cultivator of expensive habits. But the Monk is willing to admit that he doesn't live a traditional religious life of hard work, study, and fasting, claiming as his excuse that he is a modern man, disdainful of the old traditions. So, out with the old fuddy-duddies like Augustine, who would have the monk slaving away over his books in a cloister, and in with the new – the new, in this case, being a comfortable life of sport, fine food and clothing, and amusements outside the monastery's walls.
Of the Monk's physical appearance, we learn that he is fat, bald, and greasy, with eyes that roll in his head. In medieval physiognomy, the practice of drawing conclusions about someone's character from their physical appearance, rolling eyes like this might be a sign of impatience and lust for food and women. This part of the Monk's portrait foreshadows the interaction between the Monk and the Host after the Tale of Melibee. At this point, before asking him to tell a tale, the Host praises the Monk's brawn and bulk and laments that he is a religious figure because, were the Monk not pledged to celibacy, he would surely impregnate lots of women! The Host says that he thinks the Monk be a stud if given the opportunity, but considering the Monk's lack of respect for the "old" traditions of the religious life (and that mysterious love-knot pendant tying his hood), we think it's likely that he probably already is one.
With the Monk's portrait, we see another satire of religious figures who are supposed to live a monastic life of deprivation and hard work, but instead live a life of luxury and ease. Similar to the Prioress, the Monk is doing all kinds of things which, were he really pious, he would not. The Monk, though, is more self-aware about his departure from the pious life, taking the defensive stance of being a "modern" man, an excuse that rings somewhat hollow to discerning ears.
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This is the only example of intense "Mariolotry" (to give it its scornfulProtestant name) in Chaucer. When he prays in his own persona, he tends to emphasizethe Trinity, and especially Jesus. What does this suggest about the "Prioress'Tale"?8) What of the Prioress, herself, as described in the "General Prologue" portrait. How does the teller's identity affect our interpretation of this tale? Clearly this is a woman whose worldly interests conflict with her clerical duties on a number of levels (her fine food, her jewelry, her little dogs, and her concern for the sound rather than the substance of the Mass). Are these extraordinary failings, or ordinary foibles commonly found among nuns?
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